The strange impact of self-healing on my writing
This is a story with an unexpected twist.
I’ve spent most of my life being – or trying to be – a good person. I’ve also spent most of it running away from darkness. From depression, from hard feelings, from self-hatred, from hurt and rejection. I’d managed to crush it down into a tight mass deep in my chest that was, effectively, a nuclear bomb threatening to go off at any moment.
Over the last few months, I’ve been going through a process of healing. It isn’t the classic, rather saccharine “giving love to it” type of stuff. I recall most powerfully the advice of Adyashanti, who says that we shouldn’t look for the light, but go to our darkest places, our biggest hurt, our greatest contradiction.
You can’t run away from this stuff; it catches up with you eventually.
And indeed, it has. My whole life came to a halt because of it and I’m only now building something new from the ashes of what was burned down about three months ago.
The strange thing was that this had an impact on my writing. And it wasn’t that I suddenly allowed myself to be a better writer in terms of voice or style, or that I suddenly found the confidence to put myself out there and get Amnar onto Podiobooks and into the charts.
It was, oddly enough, that all the bad guys in Amnar got better.
Amnar is, like all creations of people, something of a reflection of me. And in that sense, it reflected back my fear of looking at the darkest parts of myself. The Amnari were great, yes, but although people commended me on the nastiness of the bad guys, or the complexity of good-bad-guys like Vasha or bad-good-guys like Arandes, I could feel it was out of balance.
I felt, personally, that it was too obvious that the Amnari would win because they had the power. They have the dragonlords, and the Tiomke have no equivalent, and they have the Ai Ta’Sifradan, which in some ways made the whole thing a bit like America being attacked by, say, the Channel Islands*.
It was what led me to begin to develop the Tiomke, also known as the Duum State, and to decide to introduce Tiom himself as a character. The book The Inheritance, which as usual ignores most of the classic rules of putting together a story and works with couplets more than individuals (Tascha and Arandes, Daar and Io in two separate subplots), then has a mirror between the ascension of Vasha into the higher eschelons of Tiomke leadership at the same time as Io Inherits her role as Guardian Defender.
You need to see the bad guys to appreciate them, their standpoint, and understand better why they do what they do. At last, being prepared to at least start looking at some aspects of the chattering of my own monkey mind that are really dark and really hurt, made me start to develop much better bad guys and present a greater balance in the context of my fiction.
I love this. At last, Amnar is beginning to feel more balanced, and a better piece of work. I myself am still dealing with deeper and deeper levels of dark, as I get stronger and better able to handle it. And as I do so, the Amnari plots develop and new ideas spring forth, making this a far more interesting and powerful world and story.
*That isn’t a comment on the political landscape of the Channel Islands, by the way. They’re just suitably small in comparison with America.





